We will find a solution – Three Positions in Dialogue
We will find a solution – Three Positions in Dialogue
Dates: 4–6 July 2025, daily from 3:00 PM to 7:00 PM
Venue: Kunstraum Reuter Reuterstraße 82, 12047 Berlin, Germany
Artists: – Asma Ounine – Rainer Wieczorek – Lars Schumacher
Curators / Organizers: Curated by the Initiative for Interactive Art Processes, Medienhaus für Kunst und Kultur e.V., Freundeskreis Kunstdemokratie e.V., and Kunstraum Reuter.
Type of Exhibition: Group exhibition with participatory focus
Media: Painting, mail art, photography, collage, media art, text, performance, sound
Curatorial Concept / Description: “We find a solution” transforms the Kunstraum Reuter into a dynamic space for collective thinking and artistic experimentation. Over three days, the exhibition presents three artistic positions that merge poetic, social, and media-based strategies. Rather than showcasing completed works, the focus lies on creative process and dialogue.
Visitors are invited to take part through conversations with the artists, spontaneous readings, musical interventions, and hands-on participation. The goal: to dissolve the boundaries between art production, perception, and social space—true to the guiding principle: create – develop – rethink.
Target Audience / Participation:
Open to the public – no prior knowledge required. Active engagement is explicitly encouraged.
Art as Experiment: “We will find a solution” at Kunstraum Reuter
Berlin is no stranger to radical artistic reimaginings—but for three days in July 2025, the Kunstraum Reuter becomes something more than a gallery. It becomes an experiment. A breathing space. A question mark in the form of a room. Under the title “We find a solution – Three Positions in Dialogue”, artists Asma Ounine, Rainer Wieczorek, and Lars Schumacher reject the fixity of the traditional exhibition in favor of something messier—and far more alive.
From the outset, it’s clear that this is not a show in the usual sense. There are no quiet white walls where art hangs like trophies. Instead, there is movement. Conversation. Sound. The curatorial intention is resolute: to dissolve the tidy lines between art production, reception, and social space. Visitors are not just encouraged but relied upon to contribute—through dialogue, interventions, readings, and spontaneous acts of creation. It’s not about perfection. It’s about presence.
Each artist brings a distinct conceptual signature: Wieczorek’s “quintessence paintings” distill societal tensions into aesthetic thought-objects; Ounine’s mail art practice rewires communication into poetic gestures of connection; Schumacher draws on decades of social sculpture to create liminal works suspended between the everyday and the aesthetic.
What binds them is less a formal thread than a shared ethos. Their works ask: Can art be redefined in real-time? Can the viewer become co-author? Can the gallery become a commons?
The answer is not given—fittingly. “We find a solution” offers not resolution, but possibility. One visitor scribbles a thought on the wall. Another picks up a microphone. Someone reads a line of poetry aloud to no one in particular. And suddenly, the art is everywhere.
If Berlin has taught us anything, it’s that the avant-garde rarely announces itself with clarity. It unfolds. It invites. It challenges us to step inside and see who we become.

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